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The Who Tommy 1969
1 - Go To The Mirror!
Tommy was originally released as a two-LP set with a booklet including lyrics and images to illustrate parts of the story. The cover is presented as part of a triptych-style fold-out cover. All three of the outer panels of the triptych are spanned by a single pop art painting by Mike McInnerney. The drawing is a sphere with diamond-shaped cutouts and an overlay of clouds and seagulls rendered with a figure-ground ambiguity. To one side a star-spangled hand bursts from the dark background, index finger pointing forward. Polydor Records re-released the album on compact disc in the UK in 1983. The CDs were packaged in a double CD case, with the front and back panels of the case reproducing the middle and right panels of the triptych respectively.
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Chicago II 1970
2 - In The Country
Although the official title of the album is Chicago, it came to be retroactively known as Chicago II, keeping it in line with the succession of Roman numeral-titled albums that officially began with Chicago III in 1971.While The Chicago Transit Authority was a success, Chicago is considered by many to be Chicago's breakthrough album, yielding a number of Top 40 hits, including "Make Me Smile" (#9), "Colour My World" (#7), and "25 or 6 to 4" (#4). The centerpiece of the album was the thirteen-minute song cycle "Ballet for a Girl in Buchannon". Guitarist Terry Kath also participated in an extended classically styled cycle of four pieces, three of which were co-written by the well-known, arranger, composer, and pianist Peter Matz. The politically outspoken Robert Lamm also tackles his qualms with "It Better End Soon", another modular piece. Peter Cetera, later to play a crucial role in the band's music, contributed his first song to Chicago and this album, "Where Do We Go From Here".
Released in January 1970 on Columbia Records, Chicago was an instant hit, reaching #4 in the US and #6 in the UK.
Columbia Records was very active in promoting its quadraphonic four-channel surround sound format in the mid-1970s, and nine of Chicago's first ten albums were made available in quad. The quad mix features elements not heard in the standard stereo mix, including additional guitar work from Kath in "25 Or 6 To 4" and a different vocal take from Lamm in "Wake Up Sunshine," the latter of which reveals a different lyric in the song's last line.
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The Rolling Stones Exile on Main St. 1972
3 - Let It Loose
Exile on Main St. featured a gatefold cover and included a series of 12 perforated postcards with a sequence of images inserts, all of which were shot by photographer Norman Seeff. The back cover features various photos of the Stones; the "mystery woman" pictured in the lower left side is Chris O'Dell, their personal assistant. The album photography and concept was by Robert Frank and includes images from his seminal 1958 book The Americans. The "Joe Allen" pictured in the collage is of a postcard-style advertisement by Frank of the contortionist, Joe Allen, billed as "The Human Corkscrew" for his ability to wiggle and twist through the "13 1/2 inch hoop" approximately 25,000 times during his circus career, according to an article in the Pittsburgh Post-Gazette on May 8, 1950. The man with the three balls (a tennis ball, a golf ball, and a "5" billiard ball) in his mouth is formally known as "Three Ball Charlie", a 1930's sideshow performer from Humboldt, Nebraska who could also not only balance on several balls at once, but could also juggle balls, and whistle, all while performing all 4 tasks simultaneously, according to Ripley's.
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Pink Floyd The Wall 1979
4 - Mother
When the completed album was played for an assembled group of executives at Columbia's headquarters in California, several were reportedly unimpressed by what they heard. Matters had not been helped when Columbia Records offered Waters smaller publishing rights on the grounds that The Wall was a double album, a position he did not accept. When one executive offered to settle the dispute with a coin toss, Waters asked why he should gamble on something he owned. He eventually prevailed. The record company's concerns were alleviated when "Another Brick in the Wall Part 2" reached number one in the UK, US, Norway, Portugal, Israel, West Germany and South Africa. It was certified platinum in the UK in December 1979, and platinum in the US three months later.
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Porcupine Tree The Incident 2009
5 - The Incident Part 11: Octane Twisted
On 12 June 2009 details of The Incident were revealed on the Porcupine Tree website: "the record is set to be released via Roadrunner Records worldwide on 22 September as a double CD: the centre-piece is the title track, which takes up the whole of the first disc. The 55-minute work is described as a slightly surreal song cycle about beginnings and endings and the sense that ‘after this, things will never be the same again’; the release date was later moved to 15 September. The self-produced album is completed by four standalone compositions that developed out of band writing sessions last December - Flicker, Bonnie the Cat, Black Dahlia, and Remember Me Lover feature on a separate EP length disc to stress their independence from the song cycle." On 13 July the first preview of the album was posted at both Roadrunner and band's MySpace pages. The track Time Flies, described by Steven Wilson as "sentimental" and the "centerpiece" of the album, became a music video directed by usual Porcupine Tree collaborator Lasse Hoile, along with an edited single. |