Time for another Artist Showcase and I think its about time Supertramp get some love from the CRB crew. There's been some love shown here certainly for Breakfast In America, Brother Where You Bound, and a fine Lost Album post (see below), but the site is lacking a more comprehensive sampling, so - as with Mighty Mouse - here I come to save the day!
So to fill in the gaps were going to focus heavily on the front end of the catalog and touch lightly on the later superstardom. No Live releases here either... Just pure unadulterated Supertramp Hodgson/Davies style...
Formed in 1969 under the name Daddy their music was initially categorised as progressive rock, they later incorporated a combination of traditional rock, pop and art rock into their music. To avoid confusion with the similarly named Daddy Longlegs, the band changed its name to "Supertramp", a moniker inspired by The Autobiography of a Super-Tramp by William Henry Davies. The band's work is marked by the songwriting of founders Rick Davies and Roger Hodgson and the prominent use of Wurlitzer electric piano and saxophone.
Though their albums were generally far more successful than their singles, Supertramp did enjoy a number of major hits throughout the 1970s and 1980s, including Hodgson's songs "Give a Little Bit", "The Logical Song", "Take the Long Way Home", "Dreamer", "Breakfast in America", "It's Raining Again", and Davies' songs, "Bloody Well Right", "Goodbye Stranger", and "Cannonball". None of which you will find in this weeks playlist! Away we go...
PLAYLIST --> http://www.podsnack.com/CA69EFD9E8C/a1j5epjn
Supertramp came into their own on their third album, 1974's Crime of the Century, as their lineup gelled but, more importantly, so did their sound. The group still betrayed a heavy Pink Floyd influence, particularly in its expansive art rock arrangements graced by saxophones, but Supertramp isn't nearly as spooky as Floyd -- they're snarky collegiate elitists, an art rock variation on Steely Dan or perhaps a less difficult 10cc, filled with cutting jokes and allusions, best heard on "Bloody Well Right."
With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world. Although their previous records had some popular success, they never even hinted at the massive sales of Breakfast in America. Then again, Supertramp's earlier records weren't as pop-oriented as Breakfast. The majority of the album consisted of tightly written, catchy, well-constructed pop songs, like the hits "The Logical Song," "Take the Long Way Home," and "Goodbye Stranger." Supertramp still had a tendency to indulge themselves occasionally, but Breakfast in America had very few weak moments. It was clearly their high-water mark.
The Davies-led Supertramp released Brother Where You Bound in 1985. The album was a deliberate step away from the pop approach of their last two studio albums, and reached number 20 in the UK charts and number 21 in the US charts. It included the Top 30 hit single "Cannonball", along with the title track, a 16-minute exposition on Cold War themes highlighted by guitar solos from Pink Floyd's David Gilmour. A 20-minute film of the title track by Rene Daalder was used to promote the album.
1987's Free as a Bird experimented in heavily synthesised music, such as "I'm Beggin' You", which reached number 1 on the US dance charts. The stylistic change was generally not well-received, however, and the album itself reached only number 93 in the UK and 101 in the US. This album was alos featured as a Lost/Forgotten Album - click here to hear and read more on that.
After 1988's tour, the group fragmented.
In 1996, Davies re-formed Supertramp. Four new members were added. The result of this reunion was Some Things Never Change, a new studio album released in March 1997 that echoed the earlier Supertramp sound and reached number 74 in the UK.
After a three-year hiatus, Supertramp released in April 2002 a new studio album entitled Slow Motion (their last one to date), followed by a 2002 world tour entitled "One More for the Road Tour". In 2015, Supertramp announced its first tour in more than four years: a 25-date European tour entitled "Supertramp Forever" set to kick off on 3 November 2015 in Porto, Portugal, to include a London show on 7 December at The O2 Arena and to end on 11 December 2015 at the Ziggo Dome in Amsterdam, Netherlands. However, on 4 August 2015, the band announced that the tour was cancelled due to health issues affecting Rick Davies, the band's founder being diagnosed with multiple myeloma and having begun aggressive treatment to combat the disease.
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Good topic!
"Crime" is a great album, and I keep on returning to that one, each time I want to hear me some Supertramp.
1. I don't think, I've heard this album. I like this track. Hodgson was always my favorite member of the band.
2. I think, I've heard this album, but only once. Usually the songs gets a little less great, when it's a Davies-track. This is a typical example of that. I have no idea, how they wrote the songs, but I guess they wrote the songs, they sang lead on?! Not a bad track, but too slow and simple, to be really good, as the first track.
3. I know, I've heard this album. A great Hodgson-track and again prove, that he was the McCartney of that band Sounds almost like a track from Hodgson's very fine solo-album from 1984. I love that album.
4. Davies again, and it's a bit boring. Not bad, but not the genius-sound of hodgson. With that said, I realy like Davies tracks on COTC.
5. And we turn from good to great once again. I clearly remember when this album was released. I didn't buy it, wearing my Iron Maiden T-shirt, but I remember the reviews wasn't that good. This is not one of Hodgson's best, but at least the 3rd best track here.
I've tried before to really check out all the Supertramp-albums, at least until "Famous Last Words", and it might be around time to try once again.
Supertramp, 10CC, City Boy, ELO and Queen really are the sound of the 70's to me.
I love 10cc all the way up through Deceptive Bends. A couple of hit and miss releases after that, like Bloody Tourists and Ten Out Of 10...
But your so right about Queen and ELO - 100% 70's!
I think C?WC? gets lost in the greatness of COTC, maybe that's right maybe its not, but I think I prefer C?WC? ...
First, the songs...
It's A Long Road - This one is nice. It makes me think stylistically of Santana. The bass is terrific.
Forever - Not crazy about this one.
Lady - Ha, when he sings "ooh la la la la", it makes me think of School Of Rock.
From Now On - I've listened to this album in the last couple of months. I immediately recognized this tune, and I like the song and album.
Crazy - Nothing special here.
Now, I know my comments were brief, but that's because I listened today at work and really could only jot down a few thoughts. I mentioned the bass on the first track, but it's really very good on all of these songs. I like both of their voices. Not really sure if I prefer one over the other or not. I've picked up several Supertramp albums over the last couple of years, and Breakfast In America is by far the best for me. But I do like Even In The Quietest Moments, as I said earlier.
Now, the part that probably won't be popular with Scott and Jon (Niels probably won't care because he pretty much thinks everything is crap anyway), but Supertramp seems to have a bit of a Jethro Tull effect on me. I bet Scott knows what that means. I like individual songs and a song here and there, but I'm not typically in any kind of mood to sit through a bunch of it. I'm sure that I will continue to give it a shot here and there, and you never know, one day it might click.
I know exactly what you mean by the JT-Effect. Don't quite get that with Supertramp though since theres not a lot of lulls in their songs, at least boring ones. But that's OK, we all have that one band, maybe two for me, that escapes us. If youre a BIA fan, then I would say the only other Supertramp you'd likely love as much is Crime Of The Century. If you are so inclined to one day give this band another shot, go that way.
"A Jethro Tull effect" sounds very positive in my ears.
"Niels probably won't care because he pretty much thinks everything is crap anyway". Actually, I think overall, my top 10 this year is stronger than the last few years. Other years, I had to put in 2,3 or 4 albums, that were "filler-albums". This year, it's probably only 2, hopefully less.
Def Leppard isn't as bad, as I claimed it was. It kind of grows on you, but not all of the tracks. They DO sound like a boy-band on 3 or 4 tracks, but if I skip them, the album is okay, if you don't compare it with the Mutt Lange-days.
An album, I definitely don't think is crap these days, is Killing Joke's newest album. It's a (deluxe) double-album (90+ minutes) and imo, not a weak track. In my top 3.
You knew, I had to comment on that remark, RJ.
Hopefully, you know I'm just giving you crap about the fact that you think nearly everything released these days is crap. It is what it is.
Off subject a bit, but I've bought almost 80 new releases this year. Out of those 80 or so, I'd say I would have been better off with about 25 of them. And probably about 8 or 10 of those that I should have bought were Americana/Country. I would have saved over 600 dollars probably if I had done that. And it's not that all of these are crap (my opinion, of course), but they just don't have the overall substance to hold you for repeated listens. Oh well, I'll be quiet now, since this is really an entirely different thread.
Don't worry. We've "known" each other for more than 5 years now. I know, what you mean.
A different thread, yes, but still interesting none the less.
I've saved a lot of money, listening to the albums on spotify. I've only bought around 15 albums, and among them 5 "old" ones. I acutally don't have room anymore for CD's and especially Box-sets.
I used to really dislike FLW, but have come to enjoy it the last few years for some reason. IRA is still a silly song, but there's some really good songs on the album especially DLMN which is, interestingly, the last song on the album. That would be a good theme for a list I would think.
So the first song sounds like a product of the late 60's/early 70's and it's really quite good. I think I have it on a comp, maybe. Maybe not.
As for the second song, I can only think of boobies for some reason. Could be I watched a couple episodes of MWC. That would do it.
I have the rest of the albums featured and C?WC? and EITQM are really good albums. Already talked about FLW so don't need to go thru THAT again.
I might be in the majority, but one of my favoritest Supertramp albums is BWYB and I think I am one of the few. Had it when it came out and played it A LOT. TO me it ranks right up there with COTC and BIA and it might not be number one in my list, but it is most probably number two, right after COTC.
Oh, and no matter how many times I listen to STNC, I just can't get into it. It echoes early Supertramp? Really? It's just a bunch of ballads. That's it.
And that was it.
Stupid WIKI! Cant believe they wrote that about STNC! You meant to say WERE IN THE MAJORITY when it comes to BWYB. I like it to...
As far as the rest goes, I'd say that ... did you say Boobies? uh .... forgot what I was going to say... Nevermind, thanks for writing back! Boobies!
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